A Dictionary And Magazine Stand


The accompanying picture shows a stand that is intended primarily for holding a large-size dictionary. The shelves may be utilized for holding books, magazines or sheet music. It will stand wear best if made of some hard wood, such as oak. Of the soft woods chestnut has the best grain for finishing, being hardly distinguishable from red oak.



The following pieces will be necessary:





  • 2 sides, 3/4 by 16 by 38-1/2 in., S-4-S.
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  • 1 shelf, 3/4 by 15-1/2 by 21 in., S-2-S.


  • 1 shelf, 3/4 by 14 by 17 in., S-2-S.


  • 1 shelf, 3/4 by 13-1/2 by 21 in., S-2-S.


  • 1 top, 3/4 by 13 by 17 in., S-2-S.


  • 1 lip, 3/8 by 3/4 by 17 in., S-4-S.


  • 8 keys, 3/4 by 1 by 3-1/2 in., S-2-S.




Begin work on the sides by preparing a joint edge on each piece and from this square up the lower ends and square lines across the inner surfaces [44] to indicate the positions of the lower edges of the shelves.



Next, smooth off the mill marks from the broad surfaces of the shelves and square them to size on one edge and the two ends.



Detail of the Dictionary and Magazine Stand Detail of the Dictionary and Magazine Stand


[45]



Stand Made in Oak Stand Made in Oak


Return to the side pieces and lay out the outline, but do not cut to these lines until the gains and mortises which are to receive the ends of the shelves and their tenons have been laid out and cut. Laying out these outlines at this time is done so as to [46] give the exact width the shelves are to have. These dimensions can be determined by measuring across the sides between the outlines at the points where the shelves are to be placed.



The shelves which have no tenons are to be let into the sides 1/4 in. They should be shouldered 1/2 in. back from the edge so that the groove will not show on the face.



The lip on the front of the top shelf may be fastened by means of very small brads, the heads of which should be covered with putty, colored to match the finish.



A suitable finish may be obtained as follows:



First see that all the mill marks are removed, using a smooth plane and steel scraper and sandpaper, then apply a coat of cathedral-oak water stain. When dry, sandpaper lightly, using No. 00 paper. Apply a second coat of stain, diluting it by the addition of an equal volume of water. This is to produce a stronger contrast. Sand this lightly and put on a very thin coat of shellac to bind the filler and to prevent the stain in the filler which follows from discoloring the high lights. Sand this lightly and put on a coat of paste filler according to the directions that will be found on the can. This filler should be colored in the following proportions: Light paste filler, 20 lb.; Van Dyke brown, 1 lb. After the filler has hardened, sand it lightly and put on a coat of orange shellac. Follow this with several coats of some good rubbing varnish. The first coats should be rubbed with haircloth or curled hair, and the last with powdered pumice stone and raw linseed or crude oil.





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